Dagmara Genda works as a freelance writer, and at times editor, for various art publications in Europe and Canada. Her writing has short-listed for the International Awards in Art Criticism in 2018, a prize run by the Royal College of Art in London and the Shanghai 21st Century Minsheng Art Museum. She has published catalogue and exhibition essays as well as articles in Border Crossings, Momus, esse art + opinions, Positionen and Berlin Art Link, among others.
SELECT ARTICLES AND ESSAYS
-- "Seeing VALIE EXPORT Photographically," Border Crossings, Issue 165 (August 2024)
-- "The Shape of the Blind Spot: Making the Frame of Reality," Art's Realism in the Post-Truth Era, eds. Maryse Oullet, Amanda Boetzkes (Edinburgh: Edinburgh University Press, 2024)
-- "documenta fifteen," Border Crossings, Issue 161 (March 2023)
-- "The Anxiety of Art: 'Systems of Belief' at Halle für Kunst," Berlin Art Link (December 19, 2022)
-- "Tom Sachs," Review in Border Crossings, Issue 159 (May 2022)
-- "Die Falte spielen," feature in Positionen, Issue 129, No. 4 (November 2021)
-- "Playing the Fiddle While the Amazon Burns: art in a time of climate change," feature in Border Crossings, Issue 153, Vol. 39, No. 1 (March 2020)
-- "Anna Oppermann looks down" review in Momus (February 29, 2020)
-- "Paweł Althamer wants you to stay home : Bródno's Venice Biennale," Exhibition Reviews Annual 2018-2019 : A Selection of Outstanding Entries from the Fifth International Awards for Art Criticism (London, Shanghai: 2019)